BIO:

Jess Fuller has been making recordings and performing since 1996. He received his undergraduate degree from the University of Idaho with a Bachelor of Science in Music Theory.

He has composed for all instrumental types and groups, from soloist’s and duets, to large ensembles (winds-strings-percussion-voice). His first symphonic work was premiered in Boise, Idaho in 1998.

He has played in many different rock/blues/funk/jazz bands and worked with an assortment of recording mediums, from 4 track analog, to multi-track digital mixing. He also has professional score publishing experience with Finale, as well as hand manuscript, utilizing classical calligraphy concepts.

Born in Denver then quickly relocated to Boise where he spent 18 years in the Treasure Valley before heading north to Vandal territory (Moscow, Idaho) for education and finally completing his dream of owning a recording studio. Having attained his goals of education and building a home studio Fuller set his sights on Los Angeles. He moved to LA in 2013 to further his career in the film and TV industry. working as PA on a feature film and eventually working in a world class studio for an industry legend.

While in LA he expanded his education and experience with classes at UCLA in Film Scoring, and working at Remote Control Productions recording studio in Santa Monica for 2 years. He has since returned to living in the Palouse, in Moscow ID, and now writes music from his home studio where he gives lessons, and recording services to the community.

 

 

 

 Examples of scoring to picture that FULLER has done in the past.

Documentary

 

Advertising media

Fuller re-score of Android commercial.

https://www.youtube.com/watch?v=Nt1QRqzXSg4

Short Film

Custom Score to found media

An example of how music can smooth over contrasting scenes, the video is from multiple public domain films spliced together to loosely tell a new story. It is ‘found media’ available for any use in the public domain.

Ok, since you’ve gone this far, check out my demo reel from 2014 when i was pounding the pavement in LA. these are films I provided a demo score (for free) in hopes of getting the job, ultimately I did not. For the turn around I had on producing the score (several days, a week at most) I can still enjoy the final work I was producing at that time. let me know your thoughts.